He knows the system extremely well and wanted to put together the video below to give a more in-depth look at how you shoot with and balance the MoVI Pro. Our lead gear tech, Sean, has shot with the MoVI on several productions already. In single operator mode, the gimbal takes the operator’s movements and intelligently converts them into stabilized pan and tilt movements. If you’re using the MoVI in dual operator mode, one person will carry the MoVI rig itself while another operator will wirelessly control the pan and tilt of the camera via remote control. You can use the MoVI Pro with either a single operator or with two operators. This gives you more freedom in movement, and even allows you to pass the camera off to another operator through something like a window ( like Burton did) or even drop it down over a ledge ( like Vincent Laforet). However the old stand for the m10 isn't high enough, with the bottom of the camera touching the ground. I prefer to run without the ring, instead using the classic handles. Unlike a Steadicam, the MoVI is not attached to an operator’s body. Hi there, I'm after a stand for the Movi Pro. This means it stabilizes the camera in the tilt, yaw, and roll axes. Keep reading below the jump to learn about how to balance the MoVI, how it works, tips for shooting with it, and how to build a complete MoVI shooting package. In case you’ve heard of the MoVI but don’t know all of the ins-and-outs of shooting with it, we wanted to make a post and video so that you can become more familiar with it. The MoVI Pro is the newest, hottest toy in the world of camera movement.
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